画家

劳伦斯·斯蒂芬·劳瑞

L. S. Lowry

英国 · 1887 – 1976

资料卡

出生
1887 年
出生地
斯特雷特福德、老特拉福德区
去世
1976 年
逝世地
格洛索普
安葬地
Southern Cemetery
国籍
英国
职业
艺术家、画家、平面设计师、视觉艺术家、版画家
领域
绘画、视觉艺术、图形
流派
素人艺术
老师
Pierre Adolphe Valette
代表作
Going to the Match
就读
曼彻斯特都会大学、索尔福德大学、曼彻斯特艺术学校
所属团体
皇家艺术学院

资料来自 Wikidata Q1354277(CC0)。

生平与创作

Laurence Stephen Lowry ( LAO-ree; 1 November 1887 – 23 February 1976) was an English artist. His drawings and paintings often depict scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He also painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death. He was fascinated by the sea, and painted pure seascapes, depicting only sea and sky, from the early 1940s.

His use of stylised figures which cast no shadows, and lack of weather effects in many of his landscapes led critics to label him a naïve "Sunday painter".

Lowry holds the record for rejecting British honours—five, including a knighthood (1968). A collection of his work is on display in The Lowry, a purpose-built art gallery on Salford Quays. On 26 June 2013, a major retrospective opened at the Tate Britain in London, his first at the gallery; in 2014 his first solo exhibition outside the UK was held in Nanjing, China.

Early life

Lowry was born on 1 November 1887 at 8 Barrett Street, Stretford, which was then in Lancashire. It was a difficult birth, and his mother Elizabeth, who hoped for a girl, was uncomfortable even looking at him initially. Later, she expressed envy of her sister Mary, who had "three splendid daughters" instead of one "clumsy boy". Lowry's grandfather Frederick Lowry had emigrated as a boy from Ulster in 1826 and finally settled in Manchester; he built up a career as an estate agent. His father Robert worked as a clerk for the Jacob Earnshaw and Son Property Company and was a withdrawn and introverted man. Lowry once described him as a "cold fish [...] a queer chap in many ways [...] nothing moved him. Nothing upset him. Nothing pleased him. It was as if he had got a life to get through and he got through it".

After Lowry's birth, his mother's health was too poor for her to continue teaching. She is reported to have been a religious woman who was talented and respected, with aspirations of becoming a concert pianist. She was also an irritable, nervous woman brought up to expect high standards by her stern father. Like him, she was controlling and intolerant of failure. She used illness as a means of securing the attention and obedience of her mild and affectionate husband and she dominated her son in the same way. Lowry maintained that he had an unhappy childhood, growing up in a repressive family atmosphere. Although his mother demonstrated no appreciation of her son's gifts as an artist, a number of books Lowry received as Christmas presents from his parents are inscribed to "Our dearest Laurie". At school he made few friends and showed no academic aptitude. His father was affectionate towards him but was, by all accounts, a quiet man who was at his most comfortable fading into the background as an unobtrusive presence.

Much of Lowry's early years were spent in the Manchester suburb of Victoria Park, Rusholme, but in 1909, when he was 22, owing to financial pressures, the family moved to 117 Station Road in the industrial town of Pendlebury. Here the landscape comprised textile mills and factory chimneys rather than trees. Lowry later recalled: "At first I detested it, and then, after years I got pretty interested in it, then obsessed by it ... One day I missed a train from Pendlebury – [a place] I had ignored for seven years – and as I left the station I saw the Acme Spinning Company's mill ... The huge black framework of rows of yellow-lit windows standing up against the sad, damp charged afternoon sky. The mill was turning out ... I watched this scene — which I'd looked at many times without seeing — with rapture ..."

Education

After leaving school, Lowry began a career working for the Pall Mall Company, later collecting rents, he would spend some time in his lunch hour at Buile Hill Park and in the evenings took private art lessons in antique and freehand drawing. In 1905, he secured a place at the Manchester School of Art, where he studied under the French Impressionist, Pierre Adolphe Valette. Lowry was full of praise for Valette as a teacher, remarking "I cannot over-estimate the effect on me of the coming into this drab city of Adolphe Valette, full of French impressionists, aware of everything that was going on in Paris". In 1915 he moved on to the Royal Technical Institute, Salford (later to become the Royal Technical College, Salford and now the University of Salford) where his studies continued until 1925. There he developed an interest in industrial landscapes and began to establish his own style. There is no record of him serving in the First World War. After the introduction of conscription he underwent a medical examination at Bury Barracks on 10 April 1916 and was categorised as unfit for active service due to having flat feet.

Lowry's oil paintings were originally impressionistic and dark in tone but D. B. Taylor of the Manchester Guardian took an interest in his work and encouraged him to move away from the sombre palette he was using. Taking this advice on board, Lowry began to use a white background to lighten the pictures. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". According to art critic Simon Hucker, "he [Lowry] is much more sophisticated than that… This idea that he's a naive painter who can't paint any better … god, he can paint, he's a proper impressionist. These people are not caricatures – he can give you the impression of a man with a couple of strokes at the brush. In these little tiny figures you get a lot of story, and that’s his genius." He also painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.

Death of his parents

His father died in 1932, leaving debts. His mother, subject to neurosis and depression, became bedridden and dependent on her son for care. Lowry painted after his mother had fallen asleep, between 10:00 p.……

原文较长,这里只摘了前面一部分,摘自英文维基百科「L. S. Lowry」(暂时没有中文条目,下面是英文原文),按 CC BY-SA 4.0 使用,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

师承与影响

同时代的英国画家

作品(1)

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