名画 › 安德里亚·曼泰尼亚

卡洛·德·美第奇肖像画
图片:Andrea Mantegna · 公有领域 · 维基共享资源 · 看大图

卡洛·德·美第奇肖像画

Portrait of Carlo de' Medici

作者
安德里亚·曼泰尼亚
年代
1459 年
收藏
乌菲兹美术馆
题材
肖像
材质
tempera、画板
尺寸
41 × 30(高 × 宽,多为厘米)
描绘对象
卡洛·德·美第奇
主题
卡洛·德·美第奇
馆藏编号
00287169

作品资料来自 Wikidata(CC0)。

作品介绍

The Portrait of Carlo de' Medici is a painting by the Italian Renaissance master Andrea Mantegna, executed in 1466. It is now housed in the Uffizi Gallery of Florence.

History

Little is known about the painting's origins, and currently the most credited hypothesis is that it would portray Carlo de' Medici, an illegitimate son of Cosimo de' Medici the Elder and a Circassian concubine, as hinted by the subject's intense blue eyes. In 1912 a copy of the portrait was included in a genealogy of the House of Medici. This is however in contrast with the identification of Carlo as a character in Filippino Lippi's Stories of St. Stephen and St. John the Baptist in the Cathedral of Prato. Also the attribution to Mantegna was not immediate, as for a long time the painting was thought to be by Domenico Veneziano.

The work has been dated from 1459–1460, when Mantegna arrived in Mantua and was commissioned numerous official portraits (the subject has been also identified as Ludovico Gonzaga, bishop of Mantua), and 1466, when the painter perhaps travelled to Florence.

Description

The painting shows the subject from a three-quarter view, an innovation brought in Italy through Flemish masters in the late 15th century; previously profiles, in the ancient Roman tradition, were preferred.

The subject is tan-skinned with intense blue eyes and wears the garments of a protonotary apostolic, a position which Carlo held from 1463. The official nature of the painting explains the absence of any psychological element and the attention to details such as the dress and the hat.

摘自英文维基百科「Portrait of Carlo de' Medici」(暂时没有中文条目,下面是英文原文),按 CC BY-SA 4.0 使用,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

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