名画 › 奥斯曼·哈姆迪贝伊

Mihrab
图片:Osman Hamdi Bey · 公有领域 · 维基共享资源 · 看大图

Mihrab

作者
奥斯曼·哈姆迪贝伊
年代
1901 年

作品资料来自 Wikidata(CC0)。

作品介绍

Mihrab (Turkish: Mihrap), also known as Genesis (French: La Genèse) is a painting of 1901 by the Turkish artist Osman Hamdi Bey.

History

The painting was first exhibited in May 1903 at the Royal Academy Exhibition in London under the French title La Genèse, which has been interpreted as a reference to the subject's possible pregnancy. It is unclear whether the name came from the organizers or Osman Hamdi Bey himself.

The present location of the painting is unknown.

Description

The painting depicts a woman wearing a bright yellow décolleté dress and sitting on a Qur'an lectern. Behind the woman is a tiled mihrab (a niche indicating the direction of the Kaaba in Mecca). On the floor at her feet are several large religious books strewn around. There is an incense burner in the painting's foreground. The identity of the female figure is disputed: she has been variously identified as the painter's wife or his daughter Leyla.

Mustafa Cezar, Osman's biographer, has also hypothesised that the model was the daughter of an Armenian housemaid.

Analysis

The woman is sitting in the Rehal, where the Qur'an is usually placed; she has displaced the Qur'an and is now herself the focus of attention in this painting. She has also turned her back away from the prayer niche, and thus also has turned her back against Mecca, the holiest site in Islam.

This painting, like other paintings by Osman Hamdi Bey, comments on the museum culture of his time. All the items which we see surrounding the woman were part of the Ottoman Imperial Museum's collections. The museum collected religious items, but by doing so secularised them, making them into objects which are valued for their aesthetic rather than religious qualities.

The painting has also been seen as blasphemous, feminist and anti-Islam, as the woman is trampling over religious books and sitting where the Qur'an should be; as Edhem Eldem, a professor of history, says, "it is probably difficult to imagine a more offensive way of attacking the very foundations of Islamic tradition in the name of promoting female independence and autonomy".

摘自英文维基百科「Mihrab (painting)」(暂时没有中文条目,下面是英文原文),按 CC BY-SA 4.0 使用,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

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