资料卡
- 出生
- 1848 年
- 出生地
- 纽约
- 去世
- 1933 年
- 逝世地
- 纽约
- 安葬地
- 绿荫公墓
- 国籍
- 美国
- 职业
- 摄影师、画家、室内设计师、珠宝设计师、玻璃艺术家、设计师
- 领域
- 玻璃、珠宝、室内设计、花窗玻璃、珠宝设计
- 流派
- 新艺术运动
- 老师
- 乔治·英尼斯、Samuel Colman
- 学生
- Raphaël Évaldre
- 代表作
- Tiffany lamp
- 就读
- 威得恩大学
- 获奖
- 美国发明家名人堂、法国荣誉军团骑士勋章
- 父亲
- 查理斯·路易斯·蒂芙尼
- 母亲
- Harriet Olivia Avery Tiffany
- 配偶
- Louise Wakeman Tiffany
资料来自 Wikidata Q312950(CC0)。
生平与创作
Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in art glass, especially stained glass and Favrile glass. He is associated with the art nouveau and aesthetic art movements. He was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass such as vases, ceramics, jewelry, enamels, and metalwork. Glass work by Tiffany Studios is known as Tiffany glass. He was the first design director at Tiffany & Co., the family company founded by his father Charles Lewis Tiffany.
Early life and education
Tiffany was born in New York City, the son of Charles Lewis Tiffany, founder of Tiffany and Company, and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey.
Tiffany's first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey, and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866 and 1867 and with salon painter Leon-Adolphe-Auguste Belly in 1868 and 1869. Belly's landscape paintings had a great influence on Tiffany.
Although Tiffany started out as a painter, he became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn until 1878. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany's chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s.
L. C. Tiffany and Associated American Artists
In 1879 he joined with Candace Wheeler, Samuel Colman, and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business lasted only four years. The group made designs for wallpaper, furniture, and textiles. In 1881, Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains.
The new firm's most notable work came in 1882 when U.S. president Chester Alan Arthur refused to move into the White House until it had been redecorated. Arthur commissioned Tiffany, who began to make a name for himself in New York City society for the firm's interior design work, to redo the state rooms, which Arthur found charmless. Tiffany worked on the East Room, the Blue Room, the Red Room, the State Dining Room, and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns, and adding Tiffany glass to gaslight fixtures and windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture.
Tiffany Studios
After Tiffany had formed a partnership with Colman, Lockwood DeForest, and Candace Wheeler, and after having incorporated the interior decorating firm of L.C. Tiffany & Associated Artists, a desire to concentrate on art in glass led Tiffany to choose to establish his own glassmaking firm. The first Tiffany Glass Company was incorporated on December 1, 1885. It became the Tiffany Glass & Decorating Company in 1892, and the Tiffany Studios in 1900. He had used commercial glass houses for 19 years to supply his Manhattan showroom and clients, but wanted to be fully in charge of production and design security. Finally, in 1892 he founded his own glassworks, the Louis C. Tiffany Furnaces in Corona Queens. As a youth Tiffany had attended the Flushing Institute, on Roosevelt Avenue between Main and Union Streets, where Macy's department store now sits. Tiffany was keenly aware of the area's potential and for his furnaces to succeed, he needed to hire the town's pool of experienced immigrant workers, who were then mostly Italian, German, and Irish." Tiffany experimented with glass. Sand for glassmaking was abundantly available at nearby Oyster Bay. Tiffany would eventually oversee two hundred artisans. Among them, Clara Driscoll, whose dragonfly lamp won a prize in the 1900 Paris Exposition, was by 1904 one of the highest paid women in the world. Even some of Tiffany's artists were foreigners, such as Venetian-born Andrea Boldini, and both Englishmen Joseph Briggs and Arthur J. Nash.
With Tiffany later opening his own glass factory in Corona, New York, he was determined to provide designs that improved the quality of contemporary glass. The factory was the old Tiffany Studios in Corona, Queens, at the southwest corner of 43rd Avenue and 97th place, where it was used to cast art sculptures of bronze designs for sculptors, and bronze architectural elements such as floor registers, door jambs, window casings, lamps, and sconces, most notably for Tiffany. The building had undergone a metamorphosis of name changes, beginning with the Tiffany Glass and Decorating Company, in 1892. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrile in conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World's Fair in Chicago.
At the beginning of his career, Tiffany used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass.……
原文较长,这里只摘了前面一部分,摘自英文维基百科「Louis Comfort Tiffany」(暂时没有中文条目,下面是英文原文),按 CC BY-SA 4.0 使用,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。