画家

Thomas Moran · 公有领域 · 来源

托马斯·莫兰

Thomas Moran

美国 · 1837 – 1926

资料卡

出生
1837 年
出生地
博尔顿
去世
1926 年
逝世地
圣巴巴拉
安葬地
South End Cemetery
国籍
美国
职业
画家、平面设计师、蚀刻家、探险家、石版画家
领域
绘画、风景艺术、图形
流派
哈德逊河派
学生
Deborah Griscom Passmore
代表作
Childe Roland to the Dark Tower Came
母亲
Mary Elizabeth Higson Moran
配偶
Mary Nimmo Moran

资料来自 Wikidata Q983441(CC0)。

生平与创作

托马斯·莫兰(Thomas Moran,1837年2月12日—1926年8月25日)是一位美国哈德逊河派风景画家,以绘制落基山风景著称。他与哥哥爱德华·莫兰共用一间画室,后者也是当时的一位著名画家。

莫兰与阿尔伯特·比尔施塔特、托马斯·希尔及威廉·基思一起被称为“落基山画派”(Rocky Mountain School)画家,以他们的美国西部风景画名噪一时。

摘自维基百科「托马斯·莫兰」,按 CC BY-SA 4.0 使用,繁体已转简体,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

中文条目比较短,展开看英文维基百科的条目(英文原文)

Thomas Moran (February 12, 1837 – August 25, 1926) was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family, wife Mary Nimmo Moran and daughter Ruth, took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio.

A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.

Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.

Biography

Moran was born in Bolton, Lancashire, in England, to Mary (née Higson) and Thomas Moran Sr., one of seven children. His father belonged to a family of handloom weavers. He wanted a better future for his family, so they moved to the United States in 1844, when young Thomas was 7 years old. The trip had a life-long impression on Moran, who later created sketches and paintings of the sea. His family first settled in Baltimore, moving afterwards to Kensington, a suburb of Philadelphia.

Moran began his artistic career as a teenage apprentice to the Philadelphia wood-engraving firm Scattergood & Telfer. Moran found the engraving process "tedious" and spent his free time working on his own watercolors. By the mid-1850s, he was drawing the firm's illustrations for publication rather than carving them. It was then that he encountered illustrated books that included examples of the work of British artist J. M. W. Turner, who was to be a lasting influence on Moran's work. He also began studying with local painter James Hamilton. Moran traveled to England in 1862 to see Turner's work. From that point on, he emulated Turner's use of color, his choice of landscapes, and was inspired by his explorations in watercolor, a medium for which Turner was particularly well-known.

During the 1870s and 1880s, Moran's designs for wood-engraved illustrations appeared in major magazines and gift oriented publications. Although he mastered multiple printing media including wood-engraving, etching, and lithography, which he learned from his brothers, he received renown for his paintings in oil and in watercolor. The height of his career coincided with the popularity of chromolithography, which Moran used to make color prints of his works, so that they could be widely distributed. He was also one of the leaders of the etching revival in the United States and Great Britain.

Moran was married to Scottish born Mary Nimmo Moran (1842–1899), an etcher and landscape painter. The couple had two daughters and a son. His brothers Edward (1829–1901), John (1831–1902) and Peter (1841–1914), as well as his nephews Edward Percy Moran (1862–1935) and Jean Leon Gerome Ferris (1863–1930) were also active as artists. His brother John was also a pioneer in artistic photography. The two often worked side by side, John photographing the same scene that Thomas was painting. He died in Santa Barbara, California on August 25, 1926.

Yellowstone images

Thomas Moran's vision of the Western landscape was critical to the creation of Yellowstone National Park. In 1871, Ferdinand Vandeever Hayden, director of the United States Geological Survey, invited Moran, at the request of American financier Jay Cooke, to join Hayden and his expedition team into the unknown Yellowstone region. Hayden was just about to embark on his arduous journey when he received a letter from Cooke presenting Moran as "an artist of Philadelphia of rare genius". Funded by Cooke (the director of the Northern Pacific Railroad), and Scribner's Monthly, a new illustrated magazine, Moran agreed to join the survey team of the Hayden Geological Survey of 1871 in their exploration of the Yellowstone region.……

节选,摘自英文维基百科「Thomas Moran」,按 CC BY-SA 4.0 使用。

同时代的美国画家

流派与收藏

作品(9)