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龚开

宋代 · 收录 49 首(全宋诗 49 首)

资料卡

字
圣予
号
翠岩、龟城叟
出生
1221 年
去世
1307 年
职业
作家、诗人、画家、书法家、beamter
代表作
骏骨图、壶人乐聚

资料来自 Wikidata Q3110486(CC0)。

生平

龚开(1222年—约1307年),字圣予,号翠岩,人称髯龚、老髯等,生于江苏淮阴;宋末元初画家。

简介

宋宁宗嘉定十五年(1222年)生。龚开为人沉静,身高八尺,被形容似古画仙人剑客。龚开人在盛年,南宋被蒙古势力鲸吞。龚开所在地是历代兵家必争之地,龚开锐意建功立业,可惜不得志。至1279年起南宋灭亡。龚开隐居,以卖画为生,借绘画宣泄对元朝统治的愤懑,画作主题多以山水画、佛教题材题材为主。约卒于大德十一年(1307年)。

作品

《天香书屋》轴,藏于台湾台北国立故宫博物院

《钟进士移居图》,藏于台湾台北国立故宫博物院

《钟馗击鬼》

《瘦马图》,日本企业家、政治家阿部房次郎搜购,之后由大阪市立美术馆收藏。

画中题诗:“一从云雾降天关,空尽先朝十二闲;今日有淮怜骏骨,夕阳沙岸影如山。”绘一匹十五肋的骏马骨瘦如柴,马俯首缓行,鬃毛随风漂扬,显得凄楚,勾勒如中锋写笔,圆浑凝重。以山水画之积墨法,淡墨层层干擦马肌肤,显出阴阳及质感。龚开挚友龚埔在此画上题诗:“骨如山立意如云。”

《中山出游图》,藏于美国佛利尔美术馆

摘自维基百科「龚开」,按 CC BY-SA 4.0 使用,繁体已转简体,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

中文条目比较短,展开看英文维基百科的条目(英文原文)

Gong Kai (simplified Chinese: 龚开; traditional Chinese: 龔開; pinyin: Gōng Kāi; Wade–Giles: Kung K’ai; 1222–1307) was a Chinese painter, poet, and politician during the last years of the Song dynasty. The latter part of the Song dynasty, in which Gong Kai lived, is known as the Southern Song dynasty (1127–1279). After the fall of the Song dynasty to the Yuan dynasty, he became what was known as a scholar-amateur painter. The artists of the Song were mostly influenced by momentary and sporadic pleasures and beauty. However, there is no evidence that Gong Kai painted during this period. Instead, most paintings attributed to Gong Kai are from Yuan dynasty (1271–1368).

Life in the Southern Song dynasty

Gong Kai was born in Huaiyin in present-day Jiangsu Province in 1222. His courtesy name was Shengyu (圣予) and his pseudonym was Cuiyan (翠岩). As was traditional in the Song dynasty, Gong Kai received the standard classical education. As a boy, his teachers saw that he showed great potential in painting, poetry, and calligraphy. Unfortunately, Gong Kai failed to pass the examinations necessary to become a high-ranking government official. During the Song dynasty (960–1279), Gong Kai served the Song government as a minor official in the Board of Salt Revenues. To some extent, he also served as a general's secretary prior to the invasion of the Mongols.

Life under the Yuan dynasty

In 1271, Kublai Khan began assembling the oppressed Chinese people of the Song dynasty to rise up against the current government. Over several years, he successfully brought the Song dynasty to an end in 1279 with the Battle of Yamen. The Yuan dynasty offered government positions to some servants of the Song dynasty because they wanted to employ certain aspects of the previous government. However, it was unlikely that they would have asked Gong Kai. Even though he had previously served under the former government, Gong Kai, being from Southern China, was now at the bottom of the social hierarchy under the Yuan dynasty.

As a Song loyalist, Gong Kai could not work under the new government. He and many other Song loyalists became i-min. An i-min was literally a “left-over subject” who chose to live a life of exile. Without a productive method of protest, the i-min turned to forms of symbolic protest, such as their paintings. Quite frequently, they would meet and write poetry about their losses due to the fall of the Song dynasty. After the defeating of the Song, Gong Kai fled to Hangzhou on the Yangtze River where he would spend his time writing and painting. He used his paintings as a medium of expression for his thoughts of the new government. This is most reflected in the painting Jun Gu a Noble Horse. Without his government job, Gong Kai's family became extremely impoverished. The only sources of income to the family were the sale of Gong Kai's paintings and calligraphy and the occasional trade for essential goods. Some accounts even suggest that Gong Kai was not able to afford a table and instead laid the paper on his son's back to paint.

Paintings

Paintings from the Yuan dynasty were unlike any others produced in previous eras in China. Due to the Yuan conquest of the Song and the difficult economic state, the existence of many professional art schools and painters in China began to decline. Now, fewer artists were working for the imperial courts or other wealthy sponsors. This led to the rise of the preexisting class of scholar-amateur painters, like Gong Kai.

Since he was not a trained professional painter, Gong Kai's style of painting could be described as amateur in appearance and straightforward. Some scholars believe that reason for his style was due to his appearance. He was reported as being an "imposing figure," very tall and with a long beard. They feel that his rough looks caused his brushwork to be coarse and added the “oddness of the images in his paintings."

Jun Gu a Noble Horse

Jun Gu a Noble Horse is Gong Kai's most famous painting. This Yuan dynasty painting was created using ink on a paper hand scroll. Horses were considered a specialty of Gong Kai, specifically those drawn in the style of the Tang dynasty.……

节选,摘自英文维基百科「Gong Kai」,按 CC BY-SA 4.0 使用。

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