作品介绍
《赛姬接受丘比特的初吻》(法文:Psyché et l'Amour)是法国画家弗朗索瓦·热拉尔的1789年的作品。画作的主题取自希腊神话,爱神丘比特与赛姬的故事。现时该画作被收藏于巴黎卢浮宫。
因为赛姬与邱比特的爱是并非真正的互信之爱,而是有点讽刺当时女性没有选择余地,只能被选择,而且还必须像个商品,所以现今已经有很多课程有批评与探讨,爱情并非神话。
花絮
2007年香港书展,远流出版展示的书籍《爱情神话:希腊罗马神话的爱情故事》因使用了该画作封面,被影视及娱乐事务管理处以不雅为由一度劝喻停售,引起社会回响。
摘自维基百科「赛姬接受丘比特的初吻」,按 CC BY-SA 4.0 使用,繁体已转简体,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。
中文条目比较短,展开看英文维基百科的条目(英文原文)
Cupid and Psyche (or Allegory of Eros and Psyche) is an oil-on-canvas painting by French painter François Gérard, from 1798. It was exhibited for the first time at the Salon of 1798. It is held in the Louvre, in Paris.
History and description
The scene takes place in a green landscape, which serves as the background for the action. The young princess Psyche is depicted here as being somewhat surprised by the first kiss she is receiving from Cupid (or Eros), which remains invisible to her eyes. The ancient myth told here is not only a love story, but also a metaphysical allegory: Psyche is in fact the personification of the human soul, related to the overwhelming passion, and to the libido. This work created by Gérard, who had been a pupil of Jacques-Louis David, testifies the evolution of his neoclassical style.
The relationship depicted in this painting between Cupid and Psyche is inspired by the narrative of the Latin poet Apuleius in The Golden Ass, and was a subject that repeatedly inspired neoclassical painters, sculptors and writers of the late 18th and the early 19th centuries. The gestures of Eros, the god of love, remain measured, almost completely devoid of passion and commitment, as he kisses gently Psyche in the forehead, to her surprise, because she is unable to see him. The lines of the nude bodies reflect carefully the attention that the artist paid to their anatomy. A transparent dress covers the legs of the young woman. Psyche's expression denotes a serene but distant relaxation, as well an effort to hide her feelings. The butterfly seen above Psyche's head symbolizes the soul. The scene is able to express the deepest sensuality, while also maintaining a certain sense of innocence.
