名画 › 安东尼奥·达·柯勒乔

Saints Peter, Martha, Mary Magdalen, and Leonard
图片:Antonio da Correggio · 公有领域 · 维基共享资源 · 看大图

Saints Peter, Martha, Mary Magdalen, and Leonard

作者
安东尼奥·达·柯勒乔
年代
1515 年
收藏
大都会艺术博物馆
题材
宗教艺术
材质
油彩、画布
尺寸
221.6 × 161.9(高 × 宽,多为厘米)
描绘对象
圣母玛利亚、女人、龙形传说生物、彼得、圣人、抹大拉的马利亚、圣雷欧纳德
馆藏编号
12.211
著录 / 文献
Heilbrunn Timeline of Art History

作品资料来自 Wikidata(CC0)。

作品介绍

Saints Peter, Martha, Mary Magdalen and Leonard or Four Saints is a 1514 oil on canvas altarpiece by Correggio, now in the Metropolitan Museum of Art in New York City. He painted it for the church of Santa Maria della Misericordia and it shows Saint Peter, Saint Martha, Mary Magdalene and Leonard of Noblac.

History

It has been linked to the 17 December 1517 will of the notary Melchiorre Fassi, which made the Church of San Quirino in Correggio his heir, on condition that it build a chapel with an altar dedicated to the four saints shown in the work. However, it is unclear if the work already existed, or if it was painted especially for the chapel. A codicil was added on 29 August 1528, changing the heir to the Church of San Domenico in the same town, with the same condition. On 1 April 1538, he added a third and final codicil switching the church of that of Santa Maria della Misericordia, where he also wished to be buried, and where he already possessed a chapel (dedicated to Saint Martha) which had an altarpiece at the time he first wrote his will. It is unclear if Correggio painted the work after the first will of 1517 or, as is more probable, before it.

Analysis

The artist carefully studied how to vary poses, gestures and looks, with two of the figures looking downwards (Peter and Martha), one looking up (Leonard) and one towards the viewer (Mary Magdalene). The slight smile of Mary also draws on the style of Leonardo da Vinci, most notably in the Mona Lisa. Stylistically it can be placed in the years before 1517, preceding the maturer Madonna and Child with St Francis. Parallels with Raphael's The Ecstasy of St. Cecilia, which arrived in Bologna in 1514–15, should also be considered with caution. The simple and compact composition instead has precedents in other local artists such as Saints Roch, Anthony Abbot and Lucy by Cima da Conegliano, which was already in Parma and belongs to an artistic tradition more familiar to Correggio.

摘自英文维基百科「Saints Peter, Martha, Mary Magdalen and Leonard」(暂时没有中文条目,下面是英文原文),按 CC BY-SA 4.0 使用,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

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