死去的斗牛士

The Dead Man (L'Homme mort; originally entitled The Dead Toreador or Le Torero mort) is an 1860s oil on canvas painting by Édouard Manet, produced during a period in which Manet was strongly influenced by Spanish themes and painters such as Diego Velázquez, Francisco de Goya and bullfighting.

On 14 September 1865, Manet wrote to Baudelaire: One of the most beautiful, most curious and most terrible spectacles one can see is a bull hunt. On my return, I hope to put on canvas the brilliant, flickering and at the same time dramatic appearance of the corrida I attended. Among his other his paintings on the theme are The Matador Saluting and The Bullfight.

The work was originally part of a larger composition entitled Episode from a Bullfight, directly influenced by Goya's La Tauromaquia and Alfred Dehodencq's Bullfights.

The canvas was accepted for the Salon of 1864, where many critics identified A D…

摘自英文维基百科「The Dead Man (Manet)」（CC BY-SA 4.0），暂时没有中文条目。