百老汇爵士乐

Broadway Boogie Woogie

作者: 皮特·蒙德里安
年代: 1942–1943 年
收藏: 现代艺术博物馆
流派: 荷兰风格派运动、新造形主义
题材: 抽象艺术
材质: 油彩、画布
尺寸: 50 × 50（高 × 宽，多为厘米）
描绘对象: 正方形、矩形、黄色、颜色、蓝色、红色、白色、横条纹
馆藏编号: 73.1943

作品资料来自 Wikidata（CC0）。

作品介绍

百老汇爵士乐（Broadway Boogie-Woogie）是画家皮特·蒙德里安的最后画作，完成于1943年，就在他在1940年搬到纽约后不久。

此画现正存放在美国纽约现代美术馆，被誉为抽象派的大师之作，和蒙德里安本人的高峰作品。虽然蒙德里安终身都绘画抽象画，但这一幅的灵感来自真实世界的例子：纽约曼哈顿城市规划的方格，和现代人极喜爱的爵士乐。那些一向用来切割画面的粗黑线条，这时变成寛粗的黄线，中间还夹杂着红、蓝、灰等色块，以及方块中的方块。

摘自维基百科「百老汇爵士乐」，按 CC BY-SA 4.0 使用，繁体已转简体，去掉了参考文献、外部链接等尾部小节和表格，其余文字未作改动。

中文条目比较短，展开看英文维基百科的条目（英文原文）

Broadway Boogie Woogie is an oil on canvas painting by Piet Mondrian, completed in 1943, after he had moved to New York in 1940.

Description

Compared to his earlier work, the canvas is divided into many more squares. Although he spent most of his career creating abstract work, this painting is inspired by clear real-world examples: the city grid of Manhattan, and boogie-woogie, an African-American blues style of music Mondrian loved. The painting was bought by the Brazilian sculptor Maria Martins for $800 at the Valentine Gallery in New York City, after Martins and Mondrian both exhibited there in 1943. Martins later donated the painting to the Museum of Modern Art in New York City.

Analysis

When Piet Mondrian arrived in New York, he became fond of the neat, rigid architecture. He integrated the mood and tone of jazz into this work. Mondrian called it the “destruction of natural appearance; and construction through continuous opposition of pure means - dynamic rhythm.”

摘自英文维基百科「Broadway Boogie Woogie」，按 CC BY-SA 4.0 使用。