作品介绍
《尼禄拱门》(英语:Arch of Nero)是托马斯·科尔的布面油画,在1846年完成。它原先在纽华克博物馆展示,但到2021年7月2日转至费城艺术博物馆展览。2021年5月19日,这幅作品在苏富比拍卖会上以998,000美元的外加费用出售给佛罗里达收藏家托马斯·H和黛安·德梅尔·雅各布森所经营的私人基金会。他们购买的原因是“让它能公之于众,并很快借给费城艺术博物馆作宣传”。70位“顶级艺术策展人和学者”向纽华克博物馆写了封公开信,称《尼禄拱门》“是美国共和主义一场重要且紧迫的演讲。它讲述了美国建国的理想,也代表美国未能实现自己的理想,并号召美国成为最好的自己⋯⋯对于柯尔这样的东北人来说,美国共和主义腐败的主要原因是南方的奴隶制,及其联邦政府内部的不公正影响。柯尔通过给人物披上红、白、蓝三色衣服,明确了他在罗马共和国的腐败、衰落和垮台与如今美国建立联系。”
摘自维基百科「尼禄拱门」,按 CC BY-SA 4.0 使用,繁体已转简体,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。
中文条目比较短,展开看英文维基百科的条目(英文原文)
Arch of Nero is an 1846 oil on canvas painting by the American artist Thomas Cole. It was on display at The Newark Museum of Art, but, as of July 2, 2021, was sold to the Philadelphia Museum of Art. The painting was sold on May 19, 2021, for $998,000 plus fees at a Sotheby auction, to a private foundation operated by the Florida-based collectors Thomas H. and Diane DeMell Jacobsen. They bought it "with the idea of keeping it on public view—an idea they promptly followed through on with their loan to the Philadelphia Museum of Art." Seventy "top art curators and scholars" sent an open letter to the Newark Museum of Art stating that the Arch of Nero "is an important and urgent address of America’s republicanism. It speaks to the founding ideal of the American nation, refers to America’s failure to live up to its own ideals, and is a clarion call for America to be the best version of itself.... For northeasterners such as Cole, the prime source of corruption of American republicanism was the Southern slavocracy and its unjust influence within the federal government. Cole made explicit his links between the corruption, decline, and fall of the Roman republic, and America’s present by clothing his figures in red, white, and blue."
Artist's background
Tom Christopher wrote that "[Thomas] Cole’s greatest artistic asset proved to be his untutored eye." Cole emigrated to America with his family in the spring of 1819 at the age of eighteen. As a child, his surroundings were of Lancashire, England, an area known to be an epicenter of Britain’s primarily industrial region. Because of this, Cole was granted an additional clarity of and sensitivity to the vibrancy of American landscapes awash with color, a stark contrast to the bleak and subdued landscapes of the country he left behind. From 1831 to 1832, Cole traversed Italy, where he encountered Roman ruins.
