名画 › 乔治·德·拉·图尔

The Denial of Saint Peter
图片:Georges de La Tour · 公有领域 · 维基共享资源 · 看大图

The Denial of Saint Peter

作者
乔治·德·拉·图尔
年代
1650 年
收藏
南特美术馆
流派
Manfredian method
题材
宗教艺术
材质
油彩、画布
尺寸
120 × 161(高 × 宽,多为厘米)
描绘对象
彼得
主题
Denial of Peter
馆藏编号
643
所有者
François Cacault

作品资料来自 Wikidata(CC0)。

作品介绍

The Denial of Saint Peter is a 1650 painting of the Denial of Peter by Georges de La Tour, possibly with some assistance from the painter's son Étienne. It was signed and dated by the senior artist. In 1810 it was acquired from François Cacault by the musée d'Arts de Nantes, where it still hangs.

The work was commissioned by Henri de La Ferté-Senneterre, governor of Lorraine, where La Tour lived and worked. de La Ferté-Senneterre is recorded as paying 650 francs for a work entitled The Denial of St Peter in 1650, possibly the work now in Nantes. He was then one of the most important collectors of La Tour's work.

The work's approach is very Caravagist, sidelining the work's supposed main subject and placing the soldiers gaming at a table at its centre. In 17th century French society, "gaming was inseparable from luxury" and was evidence of "indifference to salvation" - a similar link is made in the artist's The Card Sharp with the Ace of Diamonds, contemporary with Tristan L'Hermite's The Disgraced Page. The gaming soldiers also refer forwards in time to those casting lots for Jesus' clothing at the foot of the cross.

摘自英文维基百科「The Denial of Saint Peter (La Tour)」(暂时没有中文条目,下面是英文原文),按 CC BY-SA 4.0 使用,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

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