Portrait of Marguerite Khnopff

作者: 费尔南·诺普夫
年代: 1887 年
收藏: 鲍杜安国王基金会、Heritage Fund
地点: 比利时皇家美术博物馆
题材: 肖像
材质: 油彩、裱贴、画布
尺寸: 96 × 74.5（高 × 宽，多为厘米）
描绘对象: 服装、手套、Marguerite Khnopff
主题: Marguerite Khnopff
馆藏编号: DEPOT、KBS 0003
所有者: 鲍杜安国王基金会、Heritage Fund
展览经历: Der Kuss der Sphinx. Symbolismus in Belgien、Emile Verhaeren. Un musée imaginaire、Fernand Khnopff : Untiefen der Seele、Gustav Klimt und das europäische Frauenbildnis、Gustav Klimt/Josef Hoffmann. Pioneers of Modernism、In Perfect Harmony、La Belgique Dévoilée. De l'Impressionnisme à l'Expressionnisme、Une résistance poétique : Wiertz-Rops-Khnopff-ENsor-Nougé-Magritte-Delvaux、20 jaar kunstschattenjacht、Trésor pour tous 等 11 项

作品资料来自 Wikidata（CC0）。

关于作者：费尔南·诺普夫

Fernand Edmond Jean Marie Khnopff (12 September 1858 – 12 November 1921) was a Belgian symbolist painter and one of the founding members of the avant-garde group Les XX in 1883. His paintings often depict isolation, desire, and the dual image of woman as femme fatale and angelic ideal, a recurring theme in symbolist art. His sister Marguerite was a frequent subject, appearing in numerous portraits throughout his career.

Khnopff had close ties to British Pre-Raphaelitism, befriending Edward Burne-Jones and other British artists, and from 1895 was Brussels correspondent for the art journal The Studio. His work, particularly Caress of the Sphinx (1896), influenced the Vienna Secession and Gustav Klimt after Khnopff exhibited 21 works at the Secession's first exhibition in 1898.

摘自英文维基百科「Fernand Khnopff」的导言，按 CC BY-SA 4.0 使用。