画家的蜜月

The Painter's Honeymoon

作者: 第一代雷顿男爵弗雷德里克·雷顿
年代: 1864 年
收藏: 波士顿美术馆
流派: 前拉斐尔派
题材: 风俗艺术
材质: 油彩、画布
尺寸: 83.8 × 76.8（高 × 宽，多为厘米）
馆藏编号: 1981.258
展览经历: Royal Academy Exhibition of 1866

作品资料来自 Wikidata（CC0）。

作品介绍

画家的蜜月（The Painter's Honeymoon）是一个艺术家弗雷德里克·雷顿的一幅油画，创作于约1864。现藏于波士顿美术馆。

对于雷顿来说，这是一幅有趣的作品，他通常倾向于古典作品，尤其是喜欢画裸体，后者在他的作品中非常常见，以至于他的许多画作不得不因为冒犯的原因从1857年在美国的英国艺术展中撤出。

这幅画的意大利男模特经常出现在雷顿的作品中。他显然是这位艺术家最喜欢的模特之一。重要的是，他的手画得非常细致，强调了它们对他的工作有多么重要。雷顿描绘这对夫妇采用柔和的色调，非常精确，显然与他们身后那棵橘子树的粗犷形成了鲜明的对比。雷顿似乎很难画出这些橘子—仔细观察的话，这些橘子看起来像是涂了漆。大体而言，这幅画的构图和光影处理，反映了16世纪威尼斯画家诸如乔尔乔内和提香的影响。

《画家的蜜月》于1866年首次在皇家艺术研究院展出。在作品完工后的几年内，雷顿似乎故意阻止公开展出。由于雷顿以缺乏自信和害羞而闻名，许多同时代的人都认为，他觉得自己暴露了太多的情感，所以在展示这幅画时感觉不舒服。

摘自维基百科「画家的蜜月」，按 CC BY-SA 4.0 使用，繁体已转简体，去掉了参考文献、外部链接等尾部小节和表格，其余文字未作改动。

中文条目比较短，展开看英文维基百科的条目（英文原文）

The Painter's Honeymoon is an oil painting on canvas by the English painter Frederic Leighton, 1st Baron Leighton, produced c. 1864 and now in the Museum of Fine Arts, Boston.

History

This is an unusual composition for Leighton, who usually veered towards Classical images and, in particular, favored nudes – the latter were so common in his work that many of his pictures had to be removed from the 1857 exhibition of English art that toured America, because they gave offense.

The Italian man who sat for the newly married painter occurs often in Leighton's work: he was apparently one of the artist's favorite models. Importantly, his hands are painted in fine detail, emphasizing how crucial they are to his work. The soft tones and accuracy with which Leighton painted the couple contrasts obviously with the harshness of the orange tree behind them. Leighton appears to have had difficulty in painting it – on close inspection, the oranges look as though they have been enameled. Generally, the composition and glowing color of the picture reflect the influence of such 16th-century Venetian painters as Giorgione and Titian.

The Painter's Honeymoon was first exhibited at the Royal Academy's Summer Exhibition of 1866 – it appears that Leighton deliberately prevented it from being shown publicly in the years following its completion. As Leighton was renowned for his lack of confidence and shyness, many of his contemporaries believed he felt he had betrayed too much of his own emotion to feel comfortable exhibiting the picture.

摘自英文维基百科「The Painter's Honeymoon」，按 CC BY-SA 4.0 使用。