艺廊资料卡
- 出生
- 1612 年
- 出生地
- 代尔夫特
- 去世
- 1656 年
- 逝世地
- 莱顿
- 国籍
- 荷兰共和国
- 职业
- 画家
- 代表作
- Still Life with Earthenware Jar, Fish and Fruit、Still Life with Fish and Fruit
资料来自 Wikidata Q724166（CC0）。
生平与创作
哈尔门·斯滕韦克（Harmen Steenwijck，约1612年约1659年—），荷兰黄金时代静物画家。他是代尔夫特一眼镜匠的儿子，1628年起与哥哥彼得一起从师于叔叔大卫·拜依。1633年回代尔夫特与兄共同开办工作室。1636年加入圣卢克行会。1654年造访荷属东印度公司，之后回代尔夫特渡过余生。
斯滕韦克的静物画常常在温暖色调的背景中放置骷髅、乐器、财物等物品，表达对生死、知识、感官问题的思考。其主要作品有《静物画》（1640）、《寓意生命的静物画》（1640）、《骷髅、书本、长笛和哨子的静物画》（1646）、《土罐子、鱼和水果的静物画》（1652）、《漏勺中的鱼、桃子、篮子、浆果和黄瓜的静物画》（1652）等。
摘自维基百科「哈尔门·斯滕韦克」，按 CC BY-SA 4.0 使用，繁体已转简体，去掉了参考文献、外部链接等尾部小节和表格，其余文字未作改动。
中文条目比较短，展开看英文维基百科的条目（英文原文）
Harmen Steenwijck or Harmen Steenwyck (c. 1612 – after 1656) was a Dutch Golden Age painter who specialised in still life painting, especially in the style of Dutch vanitas.
Early life
Steenwyck was born in Delft, c. 1612. He was the brother of Pieter Steenwijck, also a still-life painter. His father was Evert Hamenz who was an eyeglass maker. In 1628 he moved to Leiden to live and study with his uncle. He and his brother were taught to paint by their uncle David Bailly in Leiden. Baily is credited with inventing the vanitas genre and he influenced Steenwyck to paint in the vanitas genre. The exact of his paintings are not known because he did not date his paintings.
Career
Harmen became active as a painter in Leiden between 1628 and 1633. Not much is known about his life but it was in Leiden that he began to paint in the vanitas genre. His formula for his paintings was to stage objects in a diagonal or triangle arrangement on a table.
Steenwijck is best known for his painting which was done in the Dutch vanitas genre: Still Life: An Allegory of the Vanities of Human Life. He painted the image in Leiden c. 1640. It is in the collection of the National Gallery, London.
