画家

Gerbrand van den Eeckhout · 公有领域 · 来源

赫布兰德·范登埃克霍特

Gerbrand van den Eeckhout

荷兰共和国 · 1621 – 1674

资料卡

出生
1621 年
出生地
阿姆斯特丹
去世
1674 年
逝世地
阿姆斯特丹
国籍
荷兰共和国
职业
诗人、雕刻师、画家、平面设计师、蚀刻家、素描家
领域
风景艺术、风俗画、人像画家
流派
巴洛克艺术
老师
伦勃朗
代表作
Christ and the Woman of Samaria at the Well、Isaac and Rebecca、Christus and the woman in adultery
父亲
Jan Pietersz van den Eeckhout

资料来自 Wikidata Q550146(CC0)。

生平与创作

Gerbrand van den Eeckhout (19 August 1621 – 29 September 1674) was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.

Biography

Gerbrand was born in Amsterdam, the son of a jeweller, a Mennonite who fled after 1585 from Antwerp to the north. In 1631 his mother died. His father's second wife was Cornelia Dedel, the daughter of a founder of the Delft chamber of the Dutch East India Company.

Arnold Houbraken records Van den Eeckhout was a pupil of Rembrandt. A fellow pupil to Ferdinand Bol, Nicolaes Maes and Govert Flinck, but regarded as inferior to them in skill and experience; he soon assumed Rembrandt's manner with such success that his pictures were confused with those of his master.

Eeckhout does not merely copy the subjects; he also takes the shapes, the figures, the Jewish dress and the pictorial effects of his master. It is difficult to form an exact judgment of Eeckhout's qualities at the outset of his career. His earliest pieces are probably those in which he more faithfully reproduced Rembrandt's peculiarities. Exclusively his is a tinge of green in shadows marring the harmony of the work, a gaudiness of jarring tints, uniform surface and a touch more quick than subtle.

Eeckhout matriculated early in the Gild of Amsterdam. As he grew older Eeckhout succeeded best in portraits, for example that of Isaac Commelin (formerly identified as a portrait of the historian Olfert Dapper (1669)), in the Städel collection in Frankfurt. Eeckhout occasionally varied his style. He followed Gerard ter Borch in Gambling Soldiers, at Stafford House, and a Soldiers' Merrymaking, in the collection of the marquess of Bute. Amongst the best of Eeckhout's works are Christ in the Temple (1662), at Munich, and the Haman and Mordecai of 1665, at Luton House.

Eeckhout, unmarried, was also appreciated as art connoisseur, and dealing with poets and scientists. At the end of his life he was living with his sister-in-law, a widow, and her five children on Herengracht, at a very prestigious part of the canal. He died in Amsterdam.

Works

The Continence of Scipio, Rijksmuseum Amsterdam

Isaac Blessing Jacob, in the Metropolitan Museum of Art

Resurrection of Jairus' daughter, in the Gemäldegalerie, Berlin

Presentation in the Temple, in the Dresden gallery

Presentation in the Temple, at Berlin

Giving a Tenth, at Museum of Yugoslav History in Belgrade

Tobit with the Angel, at Brunswick

Woman taken in Adultery, at Amsterdam

Anna presenting her Son to the High Priest, in the Louvre

Epiphany, at Turin

Circumcision, at Kassel

A likeness of a lady at a dressingtable with a string of beads, at Vienna

Sportsman with Hounds, in the Van der Hoo gallery (?)

Group of Children with Goats in the Hermitage

Vision of Cornelius the Centurion, at The Walters Art Museum

摘自英文维基百科「Gerbrand van den Eeckhout」(暂时没有中文条目,下面是英文原文),按 CC BY-SA 4.0 使用,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

师承与影响

同时代的荷兰共和国画家

流派与收藏

作品(7)