画家

Jacques Laumosnier

法国 · 1669 – 1744

资料卡

出生
1669 年
出生地
巴黎
去世
1744 年
逝世地
巴黎
国籍
法国
职业
画家
流派
古典主义
老师
夏尔·勒布朗、亚当·弗兰斯·范·德·莫伊伦、让-巴蒂斯特·马丁
受谁影响
亚森特·里戈
代表作
The interview of Luis XIV and Felipe IV in the island of the Pheasants

资料来自 Wikidata Q25710346(CC0)。

生平与创作

Jacques Laumosnier (ca. 1669 – ca. 1744) was a French painter known above all as painter to René de Froulay, Count of Tessé.

Birth and apprenticeship with Gobelins

Born in Paris in 1669 or shortly before, Jacques Laumosnier belonged to a family of well-to-do artisans from Clichy-la-Garenne and Paris. He probably completed his apprenticeship at the Gobelins factory, run by the painters Charles Le Brun and Adam Frans van der Meulen, and then, after 1690, by their successor Jean-Baptiste Martin. It was probably from the latter that he learned history painting. He was received as a master painter on April 7, 1693, and joined the Académie de Saint-Luc, a community bringing together Parisian master painters and sculptors.

Painter to Marshal Tessé

He was chosen by Marshal René de Froulay, Count of Tessé, to paint the first two paintings known to us by him, made from tapestry designs by the Gobelins: The Interview of Louis XIV and Philip IV on Pheasant Island and The Marriage of Louis XIV and Marie-Thérèse of Austria. Laumosnier produced nine large paintings for his patron representing the significant events in the Marshal's life.

Painter to the king

From 1718 onwards, Laumosnier assumed the title of painter to the king. He appears to have collaborated with the flower painters Jean-Baptiste Belin father and son, known to have worked in various royal residences such as Saint-Germain, Fontainebleau and Versailles. However, the works that Laumosnier produced for the king remain to be identified.

Painter in the service of the aristocracy and the bourgeoisie

After the death of his protector in 1725, Laumosnier received various private commissions. He participated, probably under the direction of fr:Augustin Oudart Justina, in the decoration of the fr:Château d'Ermenonville. He also produced portraits in the style of Hyacinthe Rigaud, the most fashionable painter of the time, for wealthy aristocrats and bourgeois such as the Bishop of Arras or the financier Jean-Baptiste Petit-de-Saint-Lienne. In 1735 he was a professor at the Académie de Saint-Luc. At the date of his last known act, in 1744, Jacques Laumosnier was over 75 years old and no longer practicing.

History paintings

The Interview of Louis XIV and Philip IV on Pheasant Island in 1660 (fr:Entrevue des deux rois sur l'île des Faisans), fr:Musée de Tessé, le Mans, reduced copy of the tapestry cartoon executed by Henri Testelin for the hanging of L'Histoire du Roi after Charles Le Brun and Adam Frans van der Meulen

Marriage of Louis XIV and Marie-Thérèse of Austria, Musée de Tessé, le Mans, reduced copy of the tapestry cartoon executed by Henri Testelin for the hanging of L'Histoire du Roi after Charles Le Brun and Adam Frans van der Meulen

Tessé reçoit de Louis XIV l'ordre du Saint-Esprit en 1694, private collection

Tessé assiste par procuration aux fiançailles de Marie-Adélaïde de Savoie avec Louis de France en 1696, private collection

Le maréchal de Tessé reçoit de Louis XIV le bâton de maréchal en 1703, private collection

Le maréchal de Tessé reçoit de Philippe V le titre de Grand d'Espagne en 1704, private collection

Le maréchal de Tessé, en mission diplomatique à Rome, présente ses lettres de créance au pape Clément XL, private collection

Philippe V, roi d'Espagne, confère la Toison d'or au maréchal de Tessé comme ambassadeur à Madrid, (1725) Musée de Tessé, le Mans

La Nymphe de Sceaux, (1735) fr:Musée du Domaine départemental de Sceaux, after a drawng by Charles Le Brun to illustrate the frontispiece of a poem by Philippe Quinault of 1677

Portraits

Full-length portrait of Marshal Tessé, ca. 1703, Musée de Tessé, le Mans.

François Baglion de La Salle, évêque d'Arras, lost painting known from an engraving by Laurent Cars (1729)

Presumed portrait of the financier Jean-Baptiste Geoffroy Petit de Saint-Lienne (1728), private collection

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师承与影响

同时代的法国画家

流派与收藏

作品(1)