画家

Gregorio Fernández

西班牙 · 1576 – 1636

资料卡

出生
1576 年
出生地
萨里亚
去世
1636 年
逝世地
巴利亚多利德
国籍
西班牙
职业
建筑师、雕塑家
领域
雕塑艺术、塑像、基督教艺术、巴洛克风格作品
流派
巴洛克艺术
学生
Francisco Fermín
代表作
Altarpiece of the purist、Pieda

资料来自 Wikidata Q195921(CC0)。

生平与创作

Gregorio Fernández (April 1576 – 22 January 1636) was a Spanish Baroque sculptor. He belongs to the Castilian school of sculpture, following the style of other great artists like Alonso Berruguete, Juan de Juni, Pompeyo Leoni, and Juan de Arfe.

Biography

Gregorio Fernández was born in Sarria, in what is now the province of Lugo, Galicia. Later in his life he travelled to Valladolid, lured by the royal household. After working as an assistant in other studios, Gregorio Fernández founded his own, where he received many apprentices and collaborators and developed a huge activity thanks to his wide clientele.

After his death, Gregorio Fernández left many pupils who followed his style, but he did not have any significant disciples. He achieved great reputation during his life, a good example of this would be the fact that in his tomb in the convent of the Carmen Calzado a portrait of him was placed, painted by his friend Diego Valentín Díaz, accompanied by a text praising his work.

Gregorio Fernández was a great expert on his trade, which he practiced with high technical perfection. His extensive knowledge of the human body allowed him to create highly detailed anatomies with the hardness of bones, the tension of muscles, the tenderness of flesh or the smoothness of skin. Compared to the extreme expressiveness of the bodies, the robes are heavy, cardboard like, arranged in sharp and rigid folds which produce a strong contrast of light and shadow.

The deep expressive world of his figures swings between the dramatic quality of physical and moral pain and the evasion of mystical experience, and is expressed through calm postures and restrained gesticulation, leaving the greatest expressive influence to both face and hands, all of that in a simple composition.

The quality of his works was improved thanks to the extensive collaboration of painters who developed the polychrome of the statues. The embodiments are usually matte and plain colours stand out in the cloths, except for the small borders which are more colorful. The realism is accentuated with the help of added false elements which boost the feeling of authenticity: eyes are made of glass, nails and teeth of ivory, blood clots of cork, sweat drops and tears of resin.

Fernández created sculptures for altarpieces and

“pasos procesionales”, like Camino del Calvario (Spanish for “the way to Calvary”). He made many iconographic images (Cristo Yacente, La Piedad, el Ecce Homo, Santa Teresa) which served as models for other artists for many years to come.

He died in Valladolid.

Works

San Martín partiendo la capa con un mendigo (1606). Church of San Martín (Valladolid)

San Antolín (1606). Palencia Cathedral

Arcángel Gabriel (1611). Museo Diocesano de Valladolid

Arcángel San Miguel . Colegiata de San Miguel Arcángel, Alfaro (La Rioja)

Santa Verónica (1614)

Paso del Descendimiento de Cristo

Christ at the Column

Pietà

Ecce Homo

Cristo de los Balderas (1631). Church of San Marcelo (León)

Cristo Yacente of El Pardo (Madrid)

Cristo Yacente for the Duke of Lerma. Church of San Pablo (Valladolid)

Éxtasis de Santa Teresa. National Sculpture Museum (Valladolid)

Bautismo de Cristo. National Sculpture Museum (Valladolid)

Cristo de la Luz. Palacio de Santa Cruz (Valladolid)

Inmaculada Concepción. Church of La Vera Cruz (Salamanca)

Main Altarpiece. Huelgas Reales (Valladolid)

Main Altarpiece. Plasencia Cathedral (Cáceres)

Altarpice. Descalzas Reales (Valladolid)

Main Altarpiece. Miranda do Douro Cathedral (Portugal)

Effigies for the Holy Week processions of Valladolid: "Sed Tengo" and "Camino del Calvario" (National Sculpture Museum), "El Entierro" (La Piedad and the two thieves in the National Sculpture Museum, and La Magdalena y San Juan in the church of Las Angustias), "La Coronación de Espinas" (Cristo Ecce Hommo in the church of La Vera-Cruz, and the executioners in the National Sculpture Museum), "La Flagelación" (Cristo atado a la columna in the church of La Vera-Cruz, and the executioners in the National Sculpture Museum), "El Descendimiento" and "La Virgen de la Vera Cruz", these last four property of the Cofradía Penitencial de la Santa Vera Cruz.

摘自英文维基百科「Gregorio Fernández」(暂时没有中文条目,下面是英文原文),按 CC BY-SA 4.0 使用,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

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