画家

长泽芦雪

Nagasawa Rosetsu

日本 · 1754 – 1799 · 日本江户时代艺术家

资料卡

出生
1754 年
出生地
Sasayama
去世
1799 年
国籍
日本
职业
画家
领域
绘画
流派
Maruyama school
老师
圆山应举
学生
Kishi Chikudō
受谁影响
圆山应举
代表作
Tiger Fusuma、Dragon Fusuma

资料来自 Wikidata Q1632536(CC0)。

生平与创作

长泽芦雪(日语:长沢 芦雪/ながさわ ろせつ,罗马化:Nagasawa Rosetsu,1754年—1799年7月10日),日本江户时代的艺术家之一,出生于一个日本下级武士家庭。他多才多艺,早年即显露其在绘画方面的杰出才能。他将西方现实主义融于其作品之中,凭此而闻名一时。

摘自维基百科「长泽芦雪」,按 CC BY-SA 4.0 使用,繁体已转简体,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

中文条目比较短,展开看英文维基百科的条目(英文原文)

Nagasawa Rosetsu (長沢芦雪; 1754–1799) was a Japanese painter during the Edo period. A disciple of the Maruyama School, he was known for his versatile artistic style. He was born to the family of a low-ranking samurai. He studied with Maruyama Ōkyo in Kyoto.

Biography

There are conflicting versions of Rosetsu's family origins, but the most credible appears to be that he was born to the family of a low-ranking samurai named Uesugi Hikouemon in the area of modern Kyoto Prefecture. Upon establishing himself as an artist, he changed his name from Uesugi to Nagasawa. He moved to Kyoto in 1781, where he became a student of Maruyama Ōkyo.

Rosetsu was married and had four children, all of whom died in childhood. He adopted his pupil Nagasawa Roshū.

Rosetsu died in 1799, allegedly by murder. He was said to have been poisoned, although others claim he committed suicide. He, his children, and his pupil are buried in a Kyoto cemetery belonging to the Pure Land Sect, although Rosetsu was a lay student of Zen.

Works

Rosetsu's early period works are in the style of Maruyama Ōkyo, although critics agree that the pupil's skill quickly surpassed his master's. Finally, they had a falling out and Rosetsu left the school. After the break, he worked under the patronage of the feudal lord of Yodo and accepted commissions at several temples.

Rosetsu's paintings fall into two very clearly defined categories, with no halfway stage in between. On the one hand, there are those of studied finish, and on the other, those--the great majority--that were clearly the work of a very few minutes of intense activity, whatever the preliminary thought and calculation. We are inclined to think of the first type as early and even untypical, but in fact Rosetsu seems to have executed carefully finished paintings at all stages of his career.

In his work, which is reminiscent of earlier Zen painting, while the moon is left white, the night sky, mountains, and pine trees are depicted with gradations of India ink.

His work was extensively forged in the Meiji period.

His works are kept in many museums worldwide, including the Dallas Museum of Art, the Walters Art Museum, the Indianapolis Museum of Art, the Princeton University Art Museum, the Harvard Art Museums, the Los Angeles County Museum of Art, the University of Michigan Museum of Art, the British Museum, the Brooklyn Museum, the Tokyo Fuji Art Museum, the Frances Lehman Loeb Art Center at Vassar College, the Cleveland Museum of Art, BAMPFA, the Birmingham Museum of Art, the Minneapolis Institute of Art, the Seattle Art Museum, and the Asian Art Museum.

摘自英文维基百科「Nagasawa Rosetsu」,按 CC BY-SA 4.0 使用。

师承与影响

同时代的日本画家

流派与收藏

作品(2)