画家

伊戈尔·格拉巴里

Igor Grabar

苏联、俄罗斯帝国 · 1871 – 1960

资料卡

出生
1871 年
出生地
布达、佩斯
去世
1960 年
逝世地
莫斯科
安葬地
新圣女公墓
国籍
苏联、俄罗斯帝国、内莱塔尼亚、苏维埃俄国
职业
建筑师、画家、美术史学家、博物馆学家
学生
Oleksandr Hryhorovych Maksymenko、Zinaida Illivna Zatsepina
就读
圣彼得堡国立大学、帝国艺术学院、圣彼得堡帝国大学
所属团体
俄罗斯科学院
获奖
列宁勋章、红旗劳动勋章、苏联人民画家、1941-1945年大卫国战争中忘我劳动奖章、斯大林奖、莫斯科建城八百周年纪念奖章、俄罗斯苏维埃联邦社会主义共和国人民画家
父亲
Manó Hrabár
母亲
Olga Grabar
配偶
Valentina Mescherina

资料来自 Wikidata Q1030307(CC0)。

生平与创作

伊戈尔·埃马努伊洛维奇·格拉巴里,或作格拉巴尔(俄语:И́горь Эммануи́лович Граба́рь,1871年3月25日—1960年5月16日)是一位俄罗斯后印象派画家、艺术家、教育家。

作品

《二月浅蓝色》(1904年)

《三月雪》(1904年)

《菊花》(1908年)

《白嘴鸟巢》(1908年)

《飞燕草》(1908年)

《湖畔》(1926年)

《白桦林》(1940年)

摘自维基百科「伊戈尔·格拉巴里」,按 CC BY-SA 4.0 使用,繁体已转简体,去掉了参考文献、外部链接等尾部小节和表格,其余文字未作改动。

中文条目比较短,展开看英文维基百科的条目(英文原文)

Igor Emmanuilovich Grabar (Russian: И́горь Эммануи́лович Граба́рь, 25 March 1871 – 16 May 1960) was a Russian Post-Impressionist painter, publisher, restorer and historian of art. Grabar, descendant of a wealthy Rusyn family, was trained as a painter by Ilya Repin in Saint Petersburg and by Anton Ažbe in Munich. He reached his peak in painting in 1903–1907 and was notable for a peculiar divisionist painting technique bordering on pointillism and his rendition of snow.

By the end of 1890s, Grabar had established himself as an art critic. In 1902, he joined Mir Iskusstva, although his relations with its leaders Sergei Diaghilev and Mstislav Dobuzhinsky were far from friendly. In 1910–1915, Grabar edited and published his opus magnum, the History of Russian Art. The History employed the finest artists and critics of the period; Grabar personally wrote the issues on architecture that set an unsurpassed standard of understanding and presenting the subject. Concurrently, he wrote and published a series of books on contemporary and historic Russian painters. In 1913, he was appointed executive director of the Tretyakov Gallery and launched an ambitious reform program that continued until 1926. Grabar diversified the Tretyakov collection into modern art and in 1917 published its first comprehensive catalogue. In 1921 Grabar became the first professor of Art restoration at the Moscow State University. Grabar helped establish research-based approaches to art restoration in Russia, including examination and documentation before restoration. The Tretyakov Gallery Magazine specifically credits him with introducing pre-restoration examination, photographic documentation, and collaborative decision-making during restoration.

An experienced politician, Grabar stayed at the top of the Soviet art establishment until his death, excluding a brief voluntary retirement in 1933–1937. He managed art-restoration workshops (present-day Grabar Centre) during 1918–1930 and from 1944 to 1960. Grabar took active part in redistribution of former church art nationalized by the Bolsheviks and established new museums for the confiscated treasures. In 1943, he formulated the Soviet doctrine of compensating World War II losses with art looted in Germany. After the war, he personally advised Joseph Stalin on the preservation of architectural heritage.

Biography

Family roots

Emmanuil Hrabar (1830–1910), father of Igor Grabar and his older brothers Bela and Vladimir (the future law scholar, 1865–1956), was an ethnic Rusyn lawyer and a politician of pro-Russian orientation. He was elected to the Hungarian Parliament in 1869, at the same time, maintaining ties with slavophiles in Moscow and the Russian Embassy. Olga Hrabar (1843–1930), mother of Igor and Vladimir, was a daughter of Rusyn pro-Russian, anti-Catholic politician Adolph Dobryansky (1817–1901). According to Igor Grabar's memoirs, Dobryansky ran an underground network of obedient followers. Dobryansky and his group, unaware of the realities of living in the Russian Empire, leaned to its official doctrine of Orthodoxy, Autocracy, and Nationality; Dobryansky, a man of wealth and pedigree, even imitated the lifestyle of a Russian landlord in minute details; two of his sons joined Imperial Russian service. Dobryansky praised the suppression of the Hungarian Revolution of 1848 by Russian troops, dreaded by his own Rusyn peasants.

In the early 1870s, the Hungarian government forced Emmanuil Hrabar to leave the country. Olga with children stayed under police surveillance at the Dobryansky manor in Čertižné (now in Slovakia). In 1880, the Hrabars temporarily reunited in Russia. Emmanuil passed a qualification test to teach German and French and settled with Igor and Vladimir in Yegoryevsk. Olga returned to Hungary to continue pro-Russian propaganda; in 1882 she and her father were, at last, arrested for treason and brought to a trial that aroused public suspicion of a police provocation. She was acquitted for lack of evidence and emigrated to Russia for the rest of her life. In Russia, the Hrabars lived under nom de guerre Hrabrov; Igor Grabar restored his real surname (transliterated from Russian with a G, unlike his brother Vladimir Hrabar) in the early 1890s.

节选,摘自英文维基百科「Igor Grabar」,按 CC BY-SA 4.0 使用。

同时代的苏联画家

流派与收藏

作品(1)

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